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Three people walking in the dark on a street in a City. The person in the front is wearing a paper mache rabbit's head. One of the people behind is looking at the person in the rabbit's head, the other person looks straight ahead.

FOLLOW THE WHITE RABBIT

An audience co-created dance film, exploring the power of opinions to polarise and manipulate subjects. The film is an artistic data collection project, investigating the 21st Century rabbit hole of information overload and polemic points of view.

50 participants watched the film at five chronological stages of its development. Their views and opinions were incorporated into the soundtrack at each stage; the final version plays as the completed film’s soundtrack.

Three dancers are resting on their hands in a press up position - two are looking away from the camera to their left, the one nearest the camera is looking directly at it.
Three dancers are knelt on one knee in the middle of a road - they have their backs arched backwards and their hands are behind them. It is night time.

Co-creation process October 2020 – February 2021

Creative producer – Tala Lee-Turton

Director and choreographer – Rose Alice

Composer – Caitlin Laing

Stylist and MUA – Tara Clark

DOP – Jake Schule

Dancers – Tala Lee-Turton, Lowri Shone, Silvia Carradori

Special thanks to Goldsmiths College of London.

View trailer
A still from the film, Chinese Laundry. The dancer is in a laundry surrounded by ironing boards and clothes and is resting her head and arms on one of the ironing boards whilst looking directly at the camera.
A still from the film, Chinese Laundry. The dancer is in profile and is gazing to the left of the image. She is looking thoughtfully as she stands in the middle of woods in the Peak District.
A dancer holds a spray of dried flowers behind her back as she holds out her arm with a delicate bend of her wrist and gazes to the left.
A dancer is wearing a black halter neck jumpsuit and is resting her hand behind her neck with the other in her pocket.
Dancer seated back to back with a musician playing the Iranian ghaychak. Dancer has arms crossed in a balletic movement, wearing a cream dress and hair in french plaits. The musician wears beige trousers and a cream lace top and has dark, long curly hair worn loose.
Dancer with blonde bob peers through a bunch of dried flowers.
A still from the film, Chinese Laundry - the dancer is situated in front of a full washing machine. She has the hood of her hoody up and is looking cautiously at the camera.
Close up of seated dancer, wearing a cream dress and hair in french plaits, looking into the distance, sat next to a cellist, with long dark curly hair, worn loose, playing soulfully.
Tala Lee-Turton gazes wistfully to the left of the camera with one arm over her head. She is in a room with dark wooden panels.
A dancer with a blonde bob holding sprays of dried flowers above and behind her head with her eyes closed as if in meditation.
A dancer leans to the side with her left hand up and right hand down to the side and behind. The back ground is red and she is in a black bolero top and leggings over a beige coloured leotard.
An animated dancer wearing a pink wig looks intently at the camera
five dancers motionless, standing ready to dance.
Seated dancer, wearing a cream dress and hair in french plaits, looking to the side at a cellist, with long dark curly hair, worn loose, playing soulfully. They both sit on a wooden box, back to back.

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